Schedule
New Cases for Sherlock Holmes
Crime play by Cornelia Wagner based on stories by Sir Arthur Conan Doyle
Dates: Mon. 26th, Tue. 27th, Thu. 29th and Fri. 30th October 2026, each at 8 p.m.
Sherlock Holmes is plagued by the banality of everyday life – until two new cases challenge his brilliant mind: the mysterious murder of a country estate owner and a scandalous affair in London's Upper Class.
Whilst he attempts to prove a young man's innocence, he encounters his equal in the fascinating Irene Adler. In a gripping game of disguises, blackmail and razor-sharp logic, Holmes must discover that nothing is as it seems at first glance.
Explicit depiction
- Physical violence (murder)
- Addiction disorder
- Depiction of blood
- Severe physical illness (not defined in detail)
Sensory triggers
- Visual: flashing lights
- Auditory: thunderstorms
Party for a Corpse
Crime play by Patrick Hamilton
Dates: Mon. 9th, Tue. 10th, Thu. 12th and Fri. 13th November 2026, each at 8 p.m.
Manhattan, 1940s
Obsessed with their seemingly intellectual superiority, Brandon and Philipp, two young aspiring students from Manhattan's upper class, strangle their fellow student David and hide him in a trunk.
The subsequent party is meant to be the crowning climax of their supposedly perfect crime. But as the murder victim's loved ones unknowingly gather around the same trunk, their concern grows for the missing David. His unknown whereabouts and some contradictory coincidences also attract the attention of Francis Cadell. The philosopher and former teacher of the students begins to suspect that the party is more than just an ordinary gathering of old acquaintances…
A dramatic chamber play, based on a true story, that shakes moral customs and values, transcends the theoretical boundaries of philosophy and psychology, and tears open human abysses.
Explicit depiction
- Addiction disorder (alcohol)
- Weapons
Mention
- Physical violence (murder)
- War
- Ableism
- Racism
- Sexism
Sensory triggers
- Sounds: thunderstorms, gunshots
The Neverending Story
Fairy-tale drama, based on the text by Michael Ende
Dates: Mon. 23rd, Tue. 24th, Thu. 26th and Fri. 27th November 2026, each at 8 p.m.
Bastian Balthasar Bux, a lonely boy, discovers a mysterious book and suddenly becomes part of the story himself. In the magical Phantásien, the "Nothing" threatens to devour everything, and only a human child can save the world. On his journey between reality and fantasy, Bastian encounters brave companions, dark powers and the question of his own identity. A poetic story about courage and hubris, self-discovery and the timeless power of imagination.
No trigger warnings known yet. The information will be added no later than one week before the performance begins.
Twelfth Night
Comedy by William Shakespeare
Dates: Mon. 30 November, Tue. 1, Thu. 3 and Fri. 4 December 2026, each at 20:00
Shakespeare meets flared trousers and disco: mix-ups, plenty of feelings and above all chaos!
After a plane crash, Viola assumes a new identity and thereby triggers a bewildering love tangle. Who loves whom? And who actually is who?
Forget classic love triangles – here it gets a bit more complicated with every encounter!
No trigger warnings known yet. The information will be added at the latest one week before the performance begins.
Vanessa's House
Comedy by Lennart Probst
Dates: Mon. 11th, Tues. 12th, Thurs. 14th and Fri. 15th January 2027, each at 8 p.m.
When Vanessa's grandparents want to stay with her for a few days at short notice, she has no idea what's in store. But as those few days turn into eight weeks, not only Vanessa's friend, but increasingly Vanessa herself finds the unwanted visitors getting on her nerves. They constantly criticise Vanessa and her lifestyle, allow pesky salespeople and her hated neighbour to come and go in her house, and to cap it all, they're also planning to blow up her kitchen. When a rat infestation, an exorcist and Vanessa's unwanted admirer are added to the mix, the situation threatens to descend into complete and utter chaos.
No trigger warnings known yet. The information will be added at the latest one week before the start of the performance.
Between the Walls
Political drama by Talia Klenk
Changed dates: Mon. 18th, Tue. 19th, Thu. 21st and Fri. 22nd January 2027, each at 20:00 (instead of October 2026)
The dystopian political drama follows the non-binary protagonist Seona through an increasingly radicalising society. Between personal refuges, public threat and moments of collective hope, an arresting portrait of queer identity emerges in times of societal regression.
Between the Walls by Talia Klenk poses the question of how much self-determination people are allowed to have before society begins to take it away from them again. The story unfolds over several years and revolves around fear, love, resistance – and the longing to be allowed to exist in peace.
No trigger warnings known yet. The information will be added no later than one week before the start of performances.
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Whether on stage or behind the scenes – there's room for everyone at Studi(o)bühne.
This waySensitive Content and Trigger Warnings
Piece contents may be overwhelming, hurtful or (re)traumatising. That is why we would like to offer you additional information that we classify as potential triggers and sensitive content. Triggers are specific stimuli that can reactivate the original trauma in people with a traumatic history (e.g. flashback).
Triggers are perceived individually and are directly related to one's own experiences and perception of reality. We endeavour to always show consideration for the wellbeing of our audience, even though unfortunately not all personal warnings can always be represented. Furthermore, we firmly believe in the self-determination and self-assessment of our viewers. We therefore leave it to you to decide whether you would like to read and consider this additional information, and we do not announce it before performances.
The notes on the individual pieces can be found above each piece under "Sensitive Content and Triggers" and will be supplemented no later than one week before performances begin. If you have any comments, questions or queries, you can contact us at any time at stuv-studiobuehne@uni-wuerzburg.de .
- Physical, psychological and sexualised violence
- Child abuse
- Miscarriage
- Serious illness (physical and psychological)
- Suicide
- Self-harming behaviour
- Eating disorders and addiction illnesses
- War
- Flight and displacement
- Explicit depiction of weapons
- Racism, sexism, queerphobia, ableism, age discrimination, bullying, antisemitism
- Body shaming
- Animal cruelty
- Explicit depiction of blood
- Sensory triggers (visual, auditory, tactile, olfactory, vestibular)
Hint – an indirect, unclear, vague reference to something or an underdeveloped representation
Mention – subject or topic in a text, dialogue or conversation; verbal representation of the trigger
Explicit representation – concrete substantive reproduction of a trigger point within the scope of all possible forms of representation
